Archive for November, 2011
Let’s be honest. I watched this show purely to see Jensen Ackles (who is in Season 2). But I only watched the first season and about half the second.
It’s a pretty good plot. The story is about a woman named Max who, as a child, escaped from a government facility where she was created and raised as a super-soldier. Officially they are called “Transgenic” because of superior gene splicing involved in the creation of each child in her unit. Each child has the same genetic flaw though- a mistake in the wiring of their brain that gives them seizures if they don’t take certain medication. Max and all the children in her unit were separated and Max grew up in Seattle, trying in her spare time to find the others like her. She works for a delivery service and becomes involved with Logan, a genius who is stuck in a wheelchair after a shooting and fights to bring the government down.
The timeline is a bit strange. Supposedly the story takes place in the near future (like 10 years or so) after an EM pulse from an enemy country knocks out the computers in the US. The government then turns into some kind of dictatorship, though the political side isn’t really emphasized or shown.
Max is being hunted by the military leader who trained her in the first place. She, in turn, begins to find leads on other transgenics via Logan’s help. Each episode has it’s own specific story arc and little bits fit into the whole, so that’s just the overarching plot.
It’s decent in a sci-fy sense and it was quite unique in 2000 when it first aired.
Jessica Alba has the lead as Max, with Michael Weatherly taking on the role of Logan. Weatherly does a pretty great job, but Alba is kind of the weak link. Her acting is a bit erratic, sometimes it’s quite stiff, other times it seems overly sympathetic. A lot of that may have been the writing though.
The real points here are taken off for a lot of the guest stars and supporting actors. Not all are bad, some do a solid job, but others are shaky and give it almost a community theater feel.
This director takes the invisible stance here. Attention isn’t drawn towards it in any positive or negative way, so I don’t have anything real to say here.
Max’s character can best be described as an ultra-pro feminist. She’s also pretty sassy, so a lot of the times she comes off as being very girl-power. It’s not a huge deal, just sometimes the writers throw in awkward lines that fall flat and, after a while, just begin to annoy.
This show is decent, it’s engaging and all, it just doesn’t hold strong in your memory. You’re paying strong attention while you’re watching, you just don’t have a strong motivator to show for the next.